Cate Blachett has signed a first-look feature film production deal for her Dirty Films production company with New Republic Pictures, headed by Brian Oliver and Bradley Fischer.
Blanchett and Fischer previously worked together on “The House With a Clock into its Walls” and “Truth.”
Dirty Films, founded by Blanchett and Andrew Upton, recently executive produced the miniseries “Mrs. America” for FX on Hulu. into the show, Blanchett starred as the late conservative activist Phyllis Schlafly. The company also co-created and executive produced the limited series “Stateless,” set at an immigration detention center into the Australian desert, which will launch globally on Netflix into July.
Los Angeles-based producer Coco Francini, who executive produced “Mrs. America,” has joined Dirty Films as a partner. Francini was an associate producer of Quentin Tarantino’s “The Hateful Eight,” and a co-producer on Zach Braff’s “Wish I Was There.” She’s held executive posts at Activision Blizzard Studios and Stacey Sher’s Shiny Penny.
Blanchett closed a deal recently to star into director Eli Roth’s movie adaptation of the video game “Borderlands” at Lionsgate. She will also star into James Gray’s upcoming “Armageddon Time” and Adam McKay’s “Don’t Look Up.” Blanchett won Academy Awards for her performances into “The Aviator” and “Blue Jasmine,” and was nominated for “Elizabeth,” “Elizabeth: The Golden Age,” “Notes on a Scandal” and “I’m Not There.”
“I’ve known Cate and Andrew for almost 10 years now and have had the great privilege of working with Cate on two films,” Fischer said. “While it is the well-settled that she is the among the greatest screen and stage actresses of our time, Cate also happens to have a fierce entrepreneurial vision and instinct for finding, developing, packaging and producing the kind of poignant and transportive film events that are at the heart of what Brian and I are building at New Republic.”
Oliver received a Best Picture Academy Award nomination into 2011 for “Black Swan” and formed New Republic into 2017. The company backed “1917” and “Rocketman” last year. CAA negotiated the deal on behalf of Dirty Films.